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The Problem With Futuristic Buildings

Head to Henson Shaving https://bit.ly/39XCoKw pick out a razor, add 100 pack of blades, use code: STEWARTHICKS and the blades are FREE! Watch my next video all about Revolving Restaurants right now on Nebula: https://nebula.tv/videos/stewarthicks-why-this-awkward-dining-trend-is-coming-back Description: In January 1977, Parisians entered a building through glass tubes suspended on its outside. Its escalators, plumbing, and structural framework were placed on the exterior, leaving the interior completely open and flexible. This design reflected a cultural moment obsessed with transparency, democracy, and technology. This video explores how architects Renzo Piano and Richard Rogers imagined a building that could empower citizens and celebrate culture by literally turning architecture inside out. But this radical approach came with significant trade-offs, from lost historical charm to maintenance headaches. We also examine how contemporary artists like Gordon Matta-Clark responded, carving into buildings to expose the hidden costs of transparency. This is how architectural inversion shaped our modern relationship with technology, surveillance, and cultural space. In this video you'll learn about: - Why the Centre Pompidou was designed inside-out - How its architecture was meant to embody democracy and technology - What transparency reveals—and conceals—in architecture and society - Connections between architecture, cybernetics, biology, and systems theory - The surprising cultural parallels in film, art, and urbanism #CentrePompidou #Architecture #InsideOutArchitecture #Transparency #UrbanDesign #RenzoPiano #RichardRogers #Metabolism #SystemsThinking #GordonMattaClark Credits: - Evan Montgomery: Coproducer / Editor - Daniela Osorio Sanudo: Research / Graphics - Filming Location: SOM (www.som.com) Sources: Banham, Reyner. Megastructure: Urban Futures of the Recent Past. New York: Harper & Row, 1976. Banham, Reyner. Theory and Design in the First Machine Age. Cambridge, MA: MIT Press, 1980. Clark, Gordon Matta. Splitting, Cutting, Writing, Drawing, Eating: Gordon Matta-Clark. Edited by Gloria Moure. Barcelona: Ediciones Polígrafa, 2006. Cook, Peter, ed. Archigram. New York: Princeton Architectural Press, 1999. Curtis, William J. R. Modern Architecture Since 1900. 3rd ed. London: Phaidon, 1996. Frampton, Kenneth. Studies in Tectonic Culture: The Poetics of Construction in Nineteenth and Twentieth Century Architecture. Cambridge, MA: MIT Press, 1995. Frampton, Kenneth. Modern Architecture: A Critical History. 4th ed. London: Thames & Hudson, 2007. Ghirardo, Diane. "The Architecture of Deceit." Journal of Architectural Education 38, no. 2 (1984): 25–29. Giedion, Sigfried. Space, Time and Architecture: The Growth of a New Tradition. 5th ed. Cambridge, MA: Harvard University Press, 2008. Harries, Karsten. The Ethical Function of Architecture. Cambridge, MA: MIT Press, 1998. Jencks, Charles. The Language of Post-Modern Architecture. 6th ed. New York: Rizzoli, 1991. Jones, Caroline A., ed. Sensorium: Embodied Experience, Technology, and Contemporary Art. Cambridge, MA: MIT Press, 2006. Koolhaas, Rem. Delirious New York: A Retroactive Manifesto for Manhattan. New York: Oxford University Press, 1978. Kurokawa, Kisho. Metabolism in Architecture. Boulder: Westview Press, 1977. Matta-Clark, Gordon. Gordon Matta-Clark: Works and Collected Writings. Edited by Gloria Moure. Barcelona: Ediciones Polígrafa, 2006. Pawley, Martin. Theory and Design in the Second Machine Age. Cambridge, MA: Blackwell Publishers, 1990. Piano, Renzo. Logbook: Renzo Piano. London: Thames & Hudson, 1997. Pompidou Centre. Centre Pompidou: Renzo Piano, Richard Rogers, and the Making of a Modern Monument. Edited by Francesco Dal Co. New Haven: Yale University Press, 2016. Picon, Antoine. "Towards a City of Events: The Centre Pompidou and the Transformation of Paris." Grey Room no. 33 (2008): 74–95. Rogers, Richard. A Place for All People: Life, Architecture and the Fair Society. Edinburgh: Canongate Books, 2017. Scott Brown, Denise, and Robert Venturi. Learning from Las Vegas: The Forgotten Symbolism of Architectural Form. Rev. ed. Cambridge, MA: MIT Press, 1977. Silver, Nathan. The Making of Beaubourg: A Building Biography of the Centre Pompidou, Paris. Cambridge, MA: MIT Press, 1994. Vidler, Anthony. The Architectural Uncanny: Essays in the Modern Unhomely. Cambridge, MA: MIT Press, 1994. Wigley, Mark. The Architecture of Deconstruction: Derrida's Haunt. Cambridge, MA: MIT Press, 1995. __Membership__ Join this channel to get access to perks: https://www.youtube.com/channel/UCYAm24PkejQR2xMgJgn7xwg/join